Archive for September, 2007

Journeyman’s Hope

Sunday, September 30th, 2007

None feels the weight of darkness more

Than one who’s sipped the nectar sweet;

Whose tears have kissed thy Lady’s feet;

Whose gaze has touched the other shore.

These tastes against defeat insure.

 

Thy star dear Lady of the night

Lights upon the old straight track.

I clearly see on looking back,

My steps were taken in thy sight;

My path ahead, though dark, is right.

 

Seeking nought, I tread the way;

No coin or revel comforts me;

Thy silver cup to drink, I seek

To serve thy mystery, if  I may,

By  root and seed, in thy embrace;

 

By bud and leaf, thy mantle bright,

Around me every step I take,

Towards thy still and misty lake;

Where silver dew drops, diamond like,

Are living souls for whom I fight -

 

To keep alive the spirit deep

That stirs the heart to greater things,

To see the shades and hear the songs;

Rekindle hope thou turning wheel

And each new season bring renewal.

 

And though the way is dark and long

I’ll taste thy comfort when I sleep.

No words can bridge the chasm deep:

Thy well, thy ray, thy tears, thy song,

My hands, my heart, to thee belong.

 

 

 

Walking Meditation

Sunday, September 30th, 2007

There is a venerable history to the walking mediation. It is a favourite of the Zen Buddhist tradition, Taoist traditions in Tai Chi, for example, as well as, I believe, for Christian orders of Monks. Being at times somewhat Monkish, perhaps due to past life influences, I have an attraction to the walking meditation. On these beautiful summer mornings, it almost seems a shame to sit inside to do one’s morning practice. I have felt in my heart a longing to be outside, in the fresh air.

 

So here is my walking meditation, pagan style. Optional accessories are a staff and robe, but these are not absolutely necessary. The idea is to walk in a sunwise circle around some convenient outdoor space. It is best done in bare feet.

 

Begin, in the Air Quarter, and begin walking slowly and deliberately. Breathe deeply and steadily into the pit of the stomach, and exhale slowly and deliberately. Inhale for the space of three steps, two if your not well practiced at deep breathing, and exhale for the space of three steps, or two if not practiced at deep breathing.

 

Each step should be slow, deliberate and carefully placed, with awareness of every aspect of the movement. Place the ball of the right foot down on the ground, transfer weight to the foot, and then lower the heel onto the ground. Continue to transfer your weight onto the foot, while lifting the heel of the left foot, and taking all the weight from it. When weight is entirely on the right foot, lift the left foot, and slowly and deliberately position it in the place where you wish to place it. Drop the ball of the left foot down, and begin placing weight into the foot, as the heel goes down onto the ground, and carry on, step by deliberate step. The energy to aim for is the intensity and concentration of stalking a wild animal.

After one or more rounds of stalking, add the next element, which is to bring in the energy of the spiritual sun. See overhead the bright intense light of a white orb, sending down a searing white ray from directly overhead to strike your crown chakra at the top of the head, and to blaze down the centre of your body to the pit of your stomach, from which centre it radiates out filling your aura with white light. With each step. Leave a footprint of light, which begins to form a circle as additional rounds are made. The breathing and deliberate and careful movements should carry on as before.

 

After one or more rounds, the visualising changes to bring in the energy of the Earth. See deep within the ground a glowing dark red sphere of energy. It sends up a ray of red light which splits into three, striking you on the ball of each foot, and also at the root chakra between the anus and base of penis or vagina. This middle ray carries on inside the body to strike the centre at the pit of the stomach, and from there diffuses throughout the aura, filing it with a dark red earth energy glow. As with the white light, see each foot-print marked out with the glow of earth energy, adding to the intensity of the circle of light that is being created. The earth circle will be just inside the Sun circle, so that you are gradually spiralling inwards.

 

After several rounds, stop at the Air quarter, and turning sun wise to face the Air quarter, greet or call the element of Air. Walk one or more rounds with the elemental energy of Air. Repeat with Fire, Water, and Earth, visualising appropriate colours and attributes for each. You have now created a sacred space, and may use it as you see fit. I carry on to greet my Deities, walking one or more rounds with each, seeking their advice or comment, or just their presence and company. I may then symbolically perform the sacred marriage, to bring about balance and renewal in myself, and around me on all planes and dimensions.

 

The walking meditation is completed by continuing to spiral into the centre of the space. I then thank my Deities for their presence and company, and, facing the four quarters in turn, thank the four elements. With giving thanks, I intentionally draw back into myself what has been projected, empowered and energised by its contact with the elemental energies and the spirit of my Deities. I then walk three rounds to spiral outwards from the centre of the circle, and into my day.

 

Well that is my framework for a pagan style walking mediation. It has plenty of scope for being adapted to the needs and capacities of just about anyone! May the blessing of the Ancient Ones touch every part of your life.

 

Blessed Be

Rob

 

 

Alchemical Tinctures

Friday, September 28th, 2007

When I became interested in the old ways, as many people do, I became interested in the healing and magical powers of herbs. I keep a well stocked herb cupboard, and have been making my own herbal tinctures for a number of years. The principle of the tincture is to dissolve the active ingredient of the herb in a mixture of alcohol and water. The alcohol dissolves many constituents that do not dissolve so well in water, and likewise, the water dissolves constituents which are not so soluble in alcohol. The alcohol acts as a preservative, and creates an environment where bacteria and spoilage organisms can’t survive. So tinctures, once made, and stored in an air-tight brown glass bottle (to reduce exposure to light), can last for many years without any loss of activity. Dried herbs, in contrast, begin to lose their potency after a year or so, and should be replaced.

 

The history of medicine, and particularly herbal medicine, is interwoven with the alchemical tradition. Indeed, one of the pioneers of modern medicine and a champion of herbal medicine, was Paracelsus, a practicing alchemist. It was Paracelsus, as I understand it, who brought the making of tinctures into prominence. The alchemical idea is to dissolve the essence or spirit of the herb in alcohol. Alcohol, in fact, is called spirits to this day, which recollects the alchemists’ belief that the distillation process, which produced alcohol from wine or fermented grain, separated the spirit, or essence, from the gross matter that remained.

 

Thus tinctures arose out of a desire to collect the essence of the herb and its energetic spirit, in the belief that this was responsible for the healing qualities. This philosophical orientation has remained with us today throughout scientific medicine, which seems to believe as an article of faith that a purified single substance is the optimum for effecting a cure in any illness.

 

Later alchemists however realised that health is based on the harmony and balance of body, mind and spirit. Based on the metaphor of the sacred marriage, the gross remains (physical plane) are re-united with the spirituous essence (spiritual plane), to form an alchemical tincture. Practically, one makes a tincture, and instead of discarding the exhausted herbal plant matter, as is usually done, it is instead heated to drive off any moisture, charred, and pounded in a mortar and pestle to a fine powder. This fine powder is added to the tincture, accompanied by suitable incantations celebrating the sacred marriage and the restoration of health and balance for all who drink of it.

 

Actually, this is my simple version of the process, which anyone can do in a normal kitchen, with normal pots and pans. If you want the full alchemical version, then I refer you to “Herbs in Magic and Alchemy”, by C.L. Zalewski (Prism, Dorset,  and Unity, Woolhara, 1990), which gives the full rundown involving retorts, calcination, Salt, Sulphur and Mercury, and potentiation through repeated distillation.

 

So here is my recipe for a simple alchemical tincture.

 

(1) Place dried herb in a glass jar. Use a jar sized so that it is three quarters or more full.

(2) Cover the herbal matter with brandy. (Vodka can also be used, but brandy is traditional, and confers the anti-inflammatory benefits of the wine bio-flavanoids)

(3) Stand in a cool dark place for at least three weeks. I generally wait a cycle of the moon. Check after a day, and top up with brandy if the herbal matter has swelled and is consequently out of the solution.

(4) Filter the solution to remove all the herbal matter. I use some coffee filter papers for this. Stand them in a cup, or a kitchen funnel. After most of the liquid has gone through, squeeze out the remaining herbal matter to get as much of the liquid as possible. This is a standard herbal tincture.

(5) Heat a flat stainless steel frypan over a low heat. Take the exhausted herbal matter, and place it in the pan, and stir constantly with a wooden spoon until all the vapour is driven off.

(6) Continue to stir over the low heat until the matter begins to lightly char and smoke. Adjust the heat by removing the pan if the smoke starts to become too heavy. The idea is to drive off the first smoke. Use your intuition to know when the first smoke has been driven off.

(7) Place the dried and slightly charred herbal material in a large mortar, and pound with a pestle until it is reduced to a fine powder, the finer the better. When I used this method for Vervain and Meadowsweet tinctures, grinding the herbal remains caused a gunpowder like odour to form.

(8) Place the ground herbal matter with the tincture extract in a brown glass bottle with a tight fitting lid.

(9) Of course the whole process is a magical exercise, and should be conducted as such, with attention paid to the state of mind at every step, and keeping the purity of healing and rebalancing intention always at the forefront of the mind.

(10) Shake well, and allow the tincture to cure for two or three days, before decanting into dropper bottles, shake well. Also shake well before each dose.

 

The dose for an alchemical tincture is a matter of personal experimentation. I have found that 20 drops is sufficient for an adult for the two examples I have made, but this could vary.

 

Recently I was away camping with my family, and we forgot to bring my daughter’s asthma puffer with us. Actually, she has been doing so well with being careful to alkalinize the diet and a herbal tonic that the puffer hadn’t been needed for months. Anyway, there we were in the middle of the bush, when she got bitten by a jumper ant. A few hours later, she started to get an asthma attack, and the coughing was getting worse and worse. It looked like we might need a trip into

Warwick, when I remembered the vervain tincture – one of its properties is a smooth muscle relaxant, just the thing that ought to ease an asthma attack, which consists of spasms of the smooth muscles in the bronchioles of the lungs. So ten drops were administered, and over the next half an hour, the attacks gradually subsided, and with the help of another ten drops before bed, she had a sound and untroubled sleep!

 

To give you some idea of the potency of the tincture, the recommended adult dosage is 1 to 4 grams of the dried herb. The tincture is generally at about a concentration of 5mls per gram. So the recommended dose for a child of five, is ¼ of the adult dose, or ¼ to 1 gram, or 1.25 to 5 mls of tincture. Ten drops is no more than half a ml, less than half the recommended minimum dose, yet it did the job very well.

 

Of course I don’t recommend anyone should diagnose and attempt the cure of their own medical conditions with alchemical tinctures. Please get professional advice about any health matters. However my experience, such as it is, and without any professional pretensions, is placed here for the benefit of all who may be interested. Make use of it at your own discretion – and make sure you adequately research any herbs you decide to work with, to understand their effects and dosages, and any possible toxicity.. Stay away from herbs that are toxic, and stick to herbs that are commonly used for herbal teas, and chances are you won’t end up poisoning yourself!

Silky Oaks

Friday, September 28th, 2007

Someone asked me the other day about Silky Oaks, and then for the next few days I was noticing Silky Oaks every where! These are pretty common in Brisbane and the surrounding regions, with people often planting them in gardens and parks. They have a magnificent display of yellow-orange flowers in Spring. This year they are coming in to flower as I write, at the end of September. Around Brisbane they seem to prefer scrubby areas along creeks. If one ventures out west a little way, in the Laidley and Gatton areas, for example, I have seen them as one of the dominant species along creeks. The road from Gatton via Ma Ma Creek and Hirstglen to the New England Highway near Allora, winds along the Ma Ma Creek Valley and you’ll spot many magnificent specimens.

Last weekend, I was up in Toowoomba for the Festival of Flowers, and noticed many magnificent Silky Oaks growing in Queens Park. So I thought I would take a few pictures, so that if you don’t already know the Silky Oak, you can learn to spot them. It is a very distinctive tree, and really can’t be mistaken!

There are also some fine Silky Oaks in the Brisbane Botanical Gardens, though these are much younger trees. The trunks look much less gnarly! They are along the eastern side of the grassy slope of the river stage, behind the Café.

So take a look at my Silky Oak page, and happy tree spotting!

 

Blessed Be,

Rob

 

The Blue Gums of Goomburra

Wednesday, September 19th, 2007

Having just got back from a weekend camping at Goomburra,  just over Cunningham’s Gap from Brisbane, I have been struck with the beauty and quiet presence of the beautiful Sydney Blue Gums. This is a tree I am very fond of which also grows in the Brisbane area in the wet rainforests and rainforest margins of the surrounding ranges. I love its smooth bark, which seems so calming and reassuring to me. I always feel refreshed and cleansed after a walk amongst the Sydney Blue Gums.  So if you would also like to take a walk amongst the Blue Gums, take a look at my Sydney Blue Gum page.

Blessed Be

Robyn Wood

A Tree Walk in Ironbark Gully

Wednesday, September 12th, 2007

Something I believe quite passionately is that pagans in Australia would be well served to explore the awesomely beautiful and powerful native trees of this unique continent. Our trees are every bit as magical and energetically significant as the usual list of sacred trees from the northern hemisphere. Not that I have anything against the beautiful and magnificent Oaks, Ashes, Birches and so on – I love them too, and have spent many a happy hour beneath their boughs on some visits to the northern hemisphere. However here in Australia, I work with our own native trees. They are plugged into the collective energy of place that exists here, in a way that transplanted northern hemisphere trees, in general, are not. 

So to help you get started with your love affair with Australian Trees, I have put together this virtual tree-walk. It is particularly meant for people in Brisbane. Trees in Australia vary from region to region, so chances are you won’t find all of these exact trees in your locality  is outside the Greater Brisbane area, though you might find some of them, and you may find very similar trees, but which may well be a different species.

Ironbark Gully is a picnic area in Brisbane Forest Park. Take the Samford Road from Ferny Grove station, pass Camp Mountain turn off on the right. Pass the Lomandra picnic area on left, and Ironbark Gully is about another half a Km on the left. There is a large grassy picnic area to the north of the first car park, which is closest to Ferny Grove. If you park in the main car park, the Crebra circuit walk starts at the ned furthest from the road, and there is a set of stairs down to the grassy picnic area. The trees shown here are all (except for Spotted Gum and Ironbark) growing in the grassy picnic area, so ideal for visiting and doing some tree work. To see the Spotted Gums and Ironbarks, do the Crebra circuit walk. All these trees are very common in the Greater Brisbane Area, and once you are familiar with them, you should be able to spot them at other places as well. Of course there are many other trees as well – but this selection should give you a good start on working with Australian Trees. In the following paragraphs, I have given my assessment of the elemental energetic quality of each tree, with my feeling about its gender, (M) for Male and (F) for female afterwards. The primary elemental quality is the second element, with the refinement given first. For example, Fire of Earth indicates primarily an Earthy quality, but a (relatively) active and passionate manifestation of the primary quality. The photographs for these pages were taken at Ironbark Gully, in Brisbane Forest Park, on September 8th, 2007.

Blessed Be

Rob

The Sun Wheel Exercises

Friday, September 7th, 2007

These meditation exercises are based upon the eight spoked sun-wheel, and develop a number of different aspects of magical technique. The sun-wheel symbol is a powerful symbol within which inheres a spiritual power able to help and assist the adherent with magical activities and communications.

Why do these exercises

These exercises have come out of my own practice, and represent a codified form of what has been given to me through my inner work. They will help you to develop three important magical skills. These are (i) movement and focus of the attention; (ii) splitting of the attention; (iii) astral projection, or movement of the attention to non-physical dimensions.

Movement and focus of the attention to a particular place or person establishes a magical link with that place or person. This is useful in healing work, communicating psychically,  and many other magical arts. Splitting of the attention allows one to operate in several dimensions simultaneously, and integrate the impressions received. Once again, this is a valuable skill in many magical operations, particularly when one is engaged in a physical world activity that requires some attention, such as talking to your boss, or doing the washing up! In addition, you will find that these exercises also improve your powers of concentration and visualisation.

Sun Wheel Symbol

Sun Wheel Symbol

Preliminary

Print out a copy of the sun wheel, and stick it to a piece of thick cardboard. Have it about 6 to 8 cms across at first. You will find these exercises work better if they are proceeded by ten to fifteen minutes of gentle stretching and exercise – sufficient to deepen the breathing and slightly elevate the heart rate, but not so vigorous as to cause a sweat or to make the breathing ragged.

Exercise 1

Place the sun wheel at eye level in front of you when you are comfortable positioned in your usual meditation position, about 60cm or a metre from you. Make sure that you can gaze at the sun wheel without undue strain from having to tilt your head down or up, for example. Establish a steady breathing routine, deep and regular, filling up the abdominal cavity on each breath. When breating is steady, and you are relaxed commence the exercise. As you breath in, focus your attention on the central dot. This focus should be concentrated, but without strain. As you breathe out, allow the focus of your attention to move along the spoke at 12 o’clock, to the point where the spoke joins the outer circle, and focus your attention there until you are ready to breathe in again. As you commence to breathe in, move the focus of your attention back along the spoke to the central dot, and focus there while you continue to breath in. You attention should be moving approximately half the breath, and focussed on the particular point for half the breath. On the next breath, repeat the exercise on the 10:30 spoke (Southern Hemisphere) or the 1:30 spoke (Northern hemisphere). Proceed around the spokes in a sunwise direction.

This exercise should take more than a few minutes. Proceed around the circle three or five times, then go on to your usual contemplation or inner work.

Exercise 2

Begin by doing one or three rounds of Exercise 1. Then repeat exercise one, however this time, divide your focus of attention into two. Instead of moving your attention up the 12 o’clock spoke, divide your attention into two, and move it simultaneously up the 12 o’clock and 1:30  spokes, on your out breath. As you continue to breath out, maintain your split focus on the two junctions between the two spokes and the rim of the wheel. You may find it helpful to imagine a spark of light at the focal points. On the in breath, move the twin focal points back along their respective spokes to the centre of the wheel, where they coalesce into a single point of focus. Maintain this single point of focus for the second half of the in breath. Repeat with the next pair of spokes in the sunwise direction around the wheel. Circle the wheel three to five times, and then proceed with your usual inner work.

Exercise 3

Begin by doing one round of exercise one, followed by a round of exercise 2. Then repeat exercise 2, but dividing the attention into three, and moving your three foci along three adjacent spokes, then back to coalesce in the centre. Circle the wheel three to five times, and then proceed with your usual inner work.

Exercise 4

Repeat Exercise three, but this time with four adjacent spokes.

Exercise 5

This exercise is similar to exercise 2, in that the attention is divided into two. However in this exercise, the attention is moved away from the physical focus, which remains on the centre point of the circle. As you breathe in, focus attention on the centre of the circle. As you breathe out, split your attention into two parts, and leaving your gaze fixed on the centre of the circle, allow your attention to move in two parts simultaneously along the 12 o’clock and along the 6 o’clock spokes to the wheel rim. Allow the split attention to remain in two parts at the rim for the remainder of the out breath, and when you begin breathing in, move the attention back along the spokes to the centre, to re-unite with the physical gaze, which should have remained fixed on the centre the entire time, although without attention. Proceed around the wheel sunwise three to five times. This exercise can be fatiguing when you first attempt it, so if you get tired, stop, and conclude for the day. However with even a small amount of practice it becomes quite easy.

Exercise 6

Work through exercises 1 to 5. Then allow your attention to be split into four, and move it along spokes at 12 o’clock, 3 o’clock, 6 o’clock and 9 o’clock. Focus the attention at the wheel rim at the four spokes, while continuing to physically gaze at the centre. As you breath in, move the four parts of the attention back along their spokes to the centre, to reunite with each other and the physical gaze. Repeat with the spokes at 1:30, 4:30, 7:30 and 10:30. Alternate between the two sets of four spokes, breathing in and out for about five minutes or so. Then proceed to your regular inner work. It may take some practice to get this exercise. If it is not happening, go back to exercise five for a day or two, and then attempt again. Stay with exercise five trying exercise 6 every few days until you get it.

Exercise 7

This follows the same pattern as exercise 5. However this time the attention is split into six parts, while the physical gaze remains at the centre. Three parts of the attention move up on the 12 o’clock, 10:30, and 1:30 spokes, while three move down on the opposite numbers at 6 o’clock, 7:30 and 4:30. This is repeated moving the entire pattern one spoke sunwise on the wheel with each breath. Once again, if you find that this exercise is not happening, go back to exercises 5 and 6 for several days, and then try again. Keep trying every couple of days until you get it, which you will if you keep at it.

Exercise 8

In this exercise, the attention is split into eight parts, and travels via all eight spokes to the rim, and then back to the centre, while the physical gaze remains without attention at the centre of the circle. Start by working through the previous exercises in order. As fro exercises 6 and 7, if you find this exercise not happening after successfully mastering 1 to 7, go back to 5,6, and 7 for several days, then try again. Try every few days until you get it.

Exercise 9

In this exercise we begin the practice of moving the attention between an external point and an internal point. Begin by having the attention focussed in the middle of the head, roughly behind the bridge of the nose on a line connecting the crown of the head with the spine. After several breaths, and you are relaxed and comfortable, and the attention is solidly fixed, begin the following movement of the attention. Begin by moving the attention from the centre of the head to the point just above and between the eye brows (the third eye chakra) as you breath out. As you breathe in, move  the attention back to the centre of the head. As before, move the attention steadily on half the in or out breath, and hold it fixed at the relevant focus point for the other half of the in or out breath.  After practicing this for several minutes, run through exercises one to eight.

Exercise 10

This exercise is very similar to exercise nine. Begin with attention focussed at the centre of the head. On the out breath move the attention to the third eye, but now keep moving the attention through the third eye and to the centre of the sun wheel. Fix the attention there for the remainder of the out breath, then as you breath in, move the attention back through the third eye chakra to the centre of the head. Repeat this for five minutes or more, and then leave your attention fixed on the centre of the sun wheel as you continue to breathe. You may at this stage of the exercise begin to receive impressions or images. The symbol of the sun wheel is linked energetically to a location on the astral plane, and impressions may come through from this location.  If so make a mental note of them, and write them down at the conclusion of the exercise.  If not, it is of no consequence, as the time is not yet right. Rest assured the time will come.

Exercise 11

Begin by practicing exercise 10. When you place your attention at the centre of the sun wheel, and begin to receive impressions from the Astral location to which the sun wheel is energetically linked, allow these impressions to develop. What is over head, what is underfoot, what is at the centre of the circle? When the image has developed sufficiently, you may see the following features – green grass under foot, blue sky over head, a black obsidian sphere the size of a soccer ball standing on a stone plinth about waste high at the centre of the circle. And around you a circular brick wall, too high to see over. Arched windows are in the wall at the eight sectors of the circle. When you focus your attention on one of the windows, your attention is able to zoom through it into a brick corridor, and you may follow that corridor to its intersection with another corridor – corresponding to the rim of the circle. At this point, turn around, and move the attention back towards the arched window, through it, and into the centre of the circle again, back to the obsidian sphere. When you are able to do this, repeat exercises 1 to eight, however moving your attention through the Astral Sun wheel maze, as described above. During your exploration of the sun maze, note any symbols which may be inscribed over or beside the windows. This exercise should occupy you for a number of months or more.

Exercise 12

In this exercise, begin with 10 and 11. Note however that there are also arched windows at the end of each spoke corridor, in the outer rim of the maze. Select one of these arched windows and move through it. Explore what is beyond the window. Allow yourself to receive whatever impressions come to you. Then find the same window, on the outside of the wall, and return through it, along the corridor to the centre. From their, return your attention to the centre of your head. As before, note any symbols on or near the windows, and record them for later investigation.

Notes on the wheel meditation

After exploring exercise twelve, you should be able to make use of the wheel meditation in your inner work, without any further guidance from me. Allow the spiritual intelligence of this symbol and its astral projection to guide you in how to further develop and use the symbol and movement of attention in your inner work. It can become a basis and platform for further work and exploration should you choose to continue to explore its possibilities. What I have described here is the beginning of a process. The momentum established in following this exercise program can be used to continue to develop and work with this technique in the way that is best suited to your interests and abilities. Note that everyone is different. What one person picks up quickly may take another weeks or months of concerted effort. As a general guide, allow three to five days each for the earlier exercises (one to six), before progressing to the next level. If you miss a day of practice, add an additional day or two. The important thing is to be comfortable you are correctly doing each exercise, without strain, before moving on to the next exercise. It is easy to be impatient, and want to move too quickly from exercise to exercise, but this will slow you down in the long run. Best to proceed slowly and methodically, and move on when you are comfortable and well practiced with each exercise. With the later exercises, there is no set time for each. Do each exercise until it is comfortably and easily repeated. It may take weeks or months on an exercise before the time is right to move on. Trust your own intuition and guidance on this. If you find that you are just not getting a particular exercise, sometimes it is a good idea to take a break for a while, even a week, or a month. Then come back and pick up again. In the meantime, do some other inner work, and allow the practices to integrate and when you come back you will likely find that great progress can be made.

Sour Soy Cream

Sunday, September 2nd, 2007

As regular readers will know, I have to be very careful with what I eat. Part of it is to avoid all dairy products. Now, occasionally, being a fair dinkum Australian, I have a yearning for toast with melted butter and vegemite, for which there is no substitute. I indulge, and regretfully suffer the consequences, and become strictly non-dairy again until the discomfort fades with the passing of time, and I am tempted again to non-compliance! Well sour cream is not in the same class as hot buttered toast (with or without vegemite) but still something that can be missed on a non-dairy diet.

 

Well yesterday, I was doing up some herbal tinctures, and had the coffee filter papers out for straining purposes, when the urge came over me to fill up a glass with soy milk, and add vinegar to it, to see what would happen. I had been reading that soy milk and soy products are very difficult to digest, and I thought I would try adding some vinegar, as vinegar is used traditionally as a means of marinating protein products to make them more digestible. So I did, and it sat on my bench for a couple of hours, and the next time I noticed it, the milk had separated into a clear liquid and some thicker solids. So I popped it into a filter paper, thinking, this is great, I will make some soy cheese. Actually a cheese cloth would have been better, but I am afraid the old cupboard was bare when it came to cheese cloths!

 

More time passed, during which I made a pot of pumpkin soup. When it came time to eat it, I thought, hey – some sour cream would be really nice with this soup. And then it struck me. I had just made some sour soy cream. So I squeezed out the filter paper, and there it was, nice and sour thanks to the vinegar, and rich and creamy. In fact by this time, quite a thick cream, and almost like a fetta cheese. It was very enjoyable in the pumpkin soup – not exactly like sour cream mind you, but enjoyable on its own terms.

 

So here is my recipe for sour soy cream, or soy fetta, depending on how thick it ends up being.

 

  1. Fill up a tumbler with soy milk. I suspect that good quality soy milk made from whole soy beans will work better than the cheaper variety made from soy protein isolate.
  2. Add a tablespoon of apple cider vinegar. (Less will probably work fine too, and not be so sour)
  3. Let sit for an hour or so
  4. Strain in a cheese cloth or coffee filter papers.
  5. After an hour or so, squeeze the fluid out of the cheese by tightening the cheese cloth or filter papers.
  6. Voila. Sour soy cream.

 

As a side note on the esoteric side of things, this is an example of the moon manifestation cycle. Something emerges out of the depths as an impulse or urge, whose direction is clear, but for which there seems no apparent reason or end point in view. A process unfolds, during which the mind, at various times, conceives of it in various different ways, and at the end of it, one sees with surprise that one has created something quite unanticipated, that perfectly answers a need. Of course this mode of creation is quite foreign to the modern rational mentality, but one with which the Wise are comfortable.

 

Blessings to Thee dear Mother.

 

Robyn Wood